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沈瑞筠个展“层见迭,节外生”于杨画廊展出中 小伙伴们不约起来等啥呢?

新赏艺术2018-11-15 13:57:28

层见迭,节外生

艺术家:沈瑞筠 ArtistRuijun Shen

策展人:鲍栋 CuratorBao Dong

开幕: 2016.10.15 16:00 Opening: 2016.10.15 16:00

展期: 2016.10.15-11.20 Duration: 2016.10.15-11.20

沈瑞筠个展“层见迭,节外生”于杨画廊展出中,展览特邀鲍栋为策展人,将持续到11月20日结束。 

沈瑞筠2000年毕业于广州美术学院,2002-2010年在美国生活和学习,2010年后至今在广东时代美术馆担任策展人。她先后在蒙卡利州立大学和芝加哥艺术学院获得两个艺术硕士学位,曾在蒙卡利州立大学任兼职讲师。她的作品曾获得琼·米丘大奖,通比·达文·路易斯大奖。  

距沈瑞筠2008年在美国芝加哥的个展至今已有七年,在此期间,无论是艺术实践,还是展览策划都体现了她对统觉艺术的思考。艺术家认为人活在一个复合的状态中,每件物品和事件都是彼此相连,具有多种可能性,并且在不断改变之中。我把被拆散的元素在时间和空间里重组,试图创造一个环境,使观众在经历作品时联想自身的经验来作自我观照。这种创作方式,它包括线条、光影与形象,各种不同的材料、媒介及物品,目光、身体和空间的调度。与之对应的是一个杂乱的、复调的、不可规约的世界,一种面对世界本身偶然性的世界观,一种以此为机缘(Potential and Conditions)的艺术实践。 

在她作为艺术家的这个展览中,从她的绘画经验中发展出来的对机缘关系的应变与导引被运用到了整个展览的上下文中:上一个展览留下的墙体材料与声音素材被纳入了这个展览的构架中,对作品与作品、作品与空间、观众与作品、观众与空间,观众与观众等多重关系的调度、试探与激发也始终是这个展览的重点。但展览的核心是观看与映射之间的关系,沈瑞筠的作品及其所处的空间给我们提供的是一个视线交错、叠加、呼应、转换与重组的现场,一种在视觉映射与经验回应之间绵延的根茎关系——正如展览的标题所提示的,这是一个需要观者置身其中,观看随即意外生长的场域。

白雪皑皑的小池塘,2016,综合材料,14×58×34 cm  


Gallery Yang is presenting Ruijun Shen’s exhibition "Reflections, as Rhizomes,” which is the artist’s first solo in China and curated by Bao Dong.  The exhibition will be on view until November 20.

 

Shen graduated from Guangzhou Academy of Fine Arts in 2000. From 2002 to 2010, she studied and lived in the United States, where she received two MFA degrees, one from Montclair State University and the other from the School of the Art Institute of Chicago.  She also taught as an adjunct professor at Montclair State University.  After returning to China in 2010, she has since worked as a curator at Guangdong Times Museum. She has been awarded a Joan Mitchell grant as well as a Toby Devan Lewis Fellowship.

 

It has been seven years since Shen's solo exhibition in Chicago in 2008. In the years since, her artistic practice and her curatorial work both embody her ideas about "art of apperception." In her words, "Humans live in a compound state, and all articles and events are interconnected, of multiple possibilities, and constantly changing. I reshuffle dismantled elements in space and time, aiming to create an environment to enable audience to go through self-reflections in the light of associations about themselves when ‘experiencing works.’”  Though this approach, her work combines lines with light and shadow; different materials, media, and articles; the gaze, body, and space.  Their reaction forms a chaotic, polyphonic, irreducible world, a Weltanschauung that faces the world’s contingencies, and an artistic practice in which potential and conditions serves as starting points.

 

In this exhibition, Ruijun Shen’s abilities to adapt to and steer potentials and conditions (which have developed from her experience in painting) are now put into effect in the context of this entire exhibition: the wall and audio recording from the gallery's previous exhibition are incorporated into this one’s framework, and the coordination, probing, and excitation of multiple relations—such as those between one work and another, works and the space, the viewers and works, the viewers and the space, and one viewer and another—are the emphases throughout this exhibition.  Yet, at the exhibition’s core is the relationship between viewing and mirroring.  Ruijun Shen's works, along with the space in which they are situated, provide us with a scene where gazes are criss-crossing, superimposing and echoing each other, transforming, and being reshuffled—a rhizome meandering between reflections and experiential responses.  As the title of the exhibition suggests, it is a field that call for a viewer’s being present and encountering unexpected growth.

浅滩,2016,综合材料,28×46×30 cm 


天圆地方,2008-2016,综合材料,27×27×20 cm  


春暖花开,2016,综合材料,1060×950×430 cm  

天鹅湖,2016,综合材料,61×24×22 cm  


湖,2009,绢上水彩、蛋彩和水墨,43×51 cm  


辱骂,2009,绢上水彩、蛋彩和水墨,43×51 cm  


战争,2007,绢上墨和蛋彩,61×76 cm  


故事发生在山的那边,2008,板上透明胶片,铅笔,胶,152×114cm  
The Story Happens on the Other Side of the Mountain, 2008, Transparent film, Pencil, Hot Glue, on Board, 152×114cm

回音,2016,墙上水墨,600×1400 cm  

Echo, 2016, Ink on Wall, 600×1400 cm

下滑,2016,综合材料,45×120 cm  

Falling, 2016, Mixed Media, 45×120 cm

大师作品有一种很干净的感觉,善于用留白讲故事且深邃,很多作品仅通过平面去欣赏当然没有亲自来到展览的震撼,淡淡的颜料香味和微凉的冷空气钻进鼻孔,清新淡雅的坏境和作品让小编已经沉浸在艺术的海洋中了......精心布置的展厅在等着懂艺术爱艺术的你们哦,展览持续到11月20日,快来吧!

编辑:于晴




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